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Helen Kapalos sat in the guest chair of Studio 10 to talk about her new controversial documentary, A Life Of Its Own.
See what all the fuss is about with Helen sitting beside Ita Buttrose, Denise Drysdale, Jessica Rowe, Joe Hildebrand and Sarah Harris. From hot topics to laugh-out-loud moments, Helen's experience in the media saw her tackling a range of different topics in an often light-hearted manner.
For the chef behind the world’s No.1 restaurant, the dining table — a tavola — has always been where the action happens. Today his enthusiasm to feed has gone global, not only at his award-winning restaurant, but now feeding the world’s poor with “rescued food”.
It was meant to be a demonstration project during Milan’s Expo but has continued to serve hungry homeless people and refugees. Bottura says the project was “so big and so good and so contagious” that chefs jumped on board the second they were told.
A new controversial documentary has highlighted the fight for life some families are facing to gain legal access to Medical Marijuana used to treat harrowing conditions.
The Dobby selfie drone is small. At least, it's small enough to fit in your pocket. It's cheap. At least, it's cheap compared to its competitors. And it packs in features like 4K video recording, image stabilization, gesture control and target tracking.
Zerotech's Dobby is available now for $399 in the US and AU$599 in Australia. There's no UK distributor, but the price coverts to around £325. Compared to rival drones with built-in cameras that can retail for over a grand, the Dobby's an attractive option for hobbyists.
Dobby Drone appears on 7 News, showcasing the true pocket drone that can take off and land on the palm of your hand.
Sometimes your competition can do plenty of the hard lifting for you when it comes to making your brand shine, as Chapel Street Precinct Association marketing manager Chrissie Maus explains...
The combination of the social swell and a targeted above-the-line campaign featuring rock posters and Adshels, made the campaign a heated talking point across Sydney, and a thorn in the side of the Premier; that’s when PR practitioner and friend Drew Lambert of DL COMMS came knocking.
With Drew's guidance, the campaign was being discussed on news.com.au,The Daily Telegraph, The Herald Sun, The Sydney Morning Herald, The Today Show as well as several major metro radio interviews.
Chrissie Maus appears on The Today Show, discussing Melbourne's guerilla tactics of bringing Sydney-siders down to play in Victoria. Play till it's my bed time, not Mike Baird time.
AS IF the controversial lockout laws hadn’t put Kings Cross in the doldrums enough, Sydneysiders are being urged to forsake their own entertainment district and head to Melbourne instead.
Fly posters have cropped up across Sydney’s CBD calling on people to swap the night time strips of George St and Kings Cross’ Darlinghurst Rd for Chapel St, in inner city Melbourne.
The team that brought cinema on demand to Australia have launched a new, globally scalable platform that will enable independent filmmakers to negotiate a multi-country release in one, single deal.
Demand.film will incorporate world first technologies to the benefit of film makers, cinema owners and the public alike. The platform has launched with a raft of new movies and screenings in the UK, Australia and New Zealand, and with interest from other countries to take the platform and its offerings.
U.S. cinema-on-demand pioneers Tugg and Gathr have a new competitor in Demand.film, which has launched in Australia, New Zealand and the U.K. and will soon expand to other European markets and, potentially, the U.S.
The three Australian entrepreneurs who created the platform say their dual aims are to enable filmmakers from around the world to reach audiences who would not otherwise get the chance to see their works, and to supplement traditional theatrical distribution.
The proponents say Demand.film is the first crowdfunding cinema service to use blockchain technology to create databases which record high-level, scalable sales information that can’t be changed. “The advantages that gives us are transparency and trust with producers, distributors and exhibitors, which will be transformational in the accounting side of the business,” says David Doepel, the firm’s managing director. who also runs Australian distributor Leap Frog Films. “Our stakeholders will have much greater confidence in the accuracy of the reporting.”
